Afternoon Dust

130210.1644 (flute)

First attempt to make a piece of music using sounds from a flute. I even made a short video to go with it, though panning on my cheap tripod wasn’t exactly smooth!

Here’s the full-length piece:

This download contains a high-quality FLAC file, SuperCollider source code and required audio:

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Gerard Byrne: A State of Neutral Pleasure

The first time I came across the work of Gerard Byrne was while I was working on the 2010 Whitstable Biennale. We were showing his 2004 film Homme à femmes (Michel Debrane), in which the eponymous actor plays the role of Jean-Paul Sartre in a reconstruction of an interview with the philosopher regarding his relationships with women. Every morning I went to the gallery to switch the projector on, returning to switch it off at the end of the day. My viewing of the film thus consisted of a number of fragments built up over the course of a fortnight, some repeated several times; presumably there were also parts I did not see.

Still snowing

I wrote about Disquiet Junto, an “association for communal music/sound-making” in my end of year review for Fluid Radio recently, but I never got round to actually joining in the fun, until now. Every week a music- or sound-making task is set; for the 55th project the task was to make a track using two piano pieces by Nils Frahm. I made a piece in SuperCollider that fed one of Nils’ tracks through a high-pass filter, the bandwidth of which was modulated using the spectral centroid of the second track. This was then mixed with a clean version of the filtered track.

You can listen to the results here.


I ran a little experiment to see what sounds I could make from a single field recording using the open source programming environment SuperCollider. You can hear the results in the sound file below - the original recording comes at the end. All of the sounds heard come from analysing and manipulating the recording.

This download contains a high-quality FLAC file, plus the SuperCollider source code and audio files. Feel free to use the code with your own recordings too - I’d love to hear the results! Suggestions for improving the code are also very welcome.

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Reading Notes: Mimesis, Onomatopeia, and Ice Cream

Allen S. Weiss’ Varieties of Audio Mimesis: Musical Evocations of Landscape is only a short book, yet its succinct and convincing arguments were enough to make me rethink my assumptions. The essay is primarily concerned with how mimesis has and can operate in music and sound art, but before this issue can be addressed, a consideration of sound and meaning in language is needed. Weiss identifies two extreme positions that date back at least as far as Plato: one proposes that there is an inherent natural link between the sound of a word and the meaning to which it refers (naturalism), while the other states that the link between a word and its referent is entirely governed by social convention (conventionalism).


At the edge of a natural jetty stretching out across the flats at low tide, two opposing wavefronts meet, causing interference.

Art Book Reader's Survey

As part of one of my university courses I’ve been conducting a survey of art book readership, asking people to share how and why they read art books. A statistical analysis of results thus far can be found here. The sample size is somewhat small, but hopefully some of the data there will be useful to those involved in art book publishing. Thanks to everyone who participated!

The survey is ongoing — you can participate by going here. Results should in theory be automatically updated to include your answers.